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Yen -MADOKA- (S)

¥7,700 JPY
¥7,700 JPY
Sale Sold out
Tax included. Shipping calculated at checkout.
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About ◯ Yen -MADOKA-

Yen -MADOKA-

We believe that the beauty of nature lies in its curves.
Ripples on water, flowing rivers, branching trees, spiral patterns on shells.
These curves found in nature are not only beautiful, but also have a strength that has been tested and refined over the years.
This model, "Madoka," best fulfils one of QUTOTEN.'s philosophies : "beautiful and functional."

Detailed explanation

Title Yen -MADOKA-
Selling price 7,000 yen + tax
Work Type Bonsai pots / flower pots
size Width 110mm / Height 80mm / Inner diameter 110mm
Material Pottery
pottery Kyoto ware
Planning and Design QUOTE N.
Production Kyoto ware and Kiyomizu ware pottery manufacturer "Touan"

*As these items are handmade by artisans, there may be individual differences in size and color. Please enjoy the unique texture of handmade items.
*Please note that the plants shown in the product images are not included.

◯ QUTOTEN.'s philosophy

At QUTOTEN., we create flower pots based on six philosophies.

  1. Be natural.
  2. Beautiful and functional.
  3. Blend in rather than standing out.
  4. Don't tell everyone everything, leave it up to the listener.
  5. Try incorporating waste.
  6. First of all, we enjoy ourselves.

About Touan, the Kyoto-yaki and Kiyomizu-yaki pottery manufacturer

About Touan, the Kyoto-yaki and Kiyomizu-yaki Pottery Maker

Since its founding in 1922 at Sennyuji Temple in Higashiyama, Kyoto, the Kyo-yaki and Kiyomizu-yaki pottery manufacturer "Touan" has continued to use high-quality raw materials and create works by skilled craftsmen, which have earned it a high reputation for their quality and creativity.
While inheriting the traditions of Kyoto ware from Nonomura Ninsei and Ogata Kenzan, he is constantly working on technological innovation and continues to create works that stand out from other Kyoto ware.
"Madoka" was planned and designed by QUTOTEN., and was produced by artisans after numerous consultations with Yoshiaki Dobuchi, the fourth-generation head of the family, about the development of glazes and the selection of clay.

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